MIA Erasure, My Reflection
To much fanfare, the exhibit Artists Respond: American Art and the Vietnam War, 1965-1975 opened in Minnesota at the Minneapolis Institute of Art this month and will run until January 5th, 2020. It’s billed as a way to look at “the innovative ways artists talked back, often in the streets and other public venues. The exhibition presents nearly 100 works by 58 of the period’s most visionary, provocative artists.” For Southeast Asians of Vietnamese, Hmong, Laotian, and Cambodian descent, and active military veterans, you can even see the exhibit for free. It’s been a long time since I’ve been given free admission to an art exhibit to witness the complete erasure of my community’s perspective and reactions to the Vietnam War, the Secret War, and the Killing Fields. For Minnesotans, who arguably have one of the most deeply tangled relationships with Southeast Asia than almost any other US state, this ought to be a stirring and profound exhibit: one filled with so many heartbreaking memories and reflections on themes and issues addressed over four decades ago, …
