All posts filed under: Laos

“All’s Fair?” Considering Laos, the environment, and war

Centuries ago, a writer penned the famous line “All’s fair in love and war,” which encouraged approaching romance and conflict with calculating Machiavellian sensibilities unhindered by inconvenient moral compunctions and scruples. This idea was readily embraced in Europe and the United States. You can see it presently expressed in popular culture such as “Flavor of Love,” or former Minnesota Governor Jesse Ventura’s tongue-in-cheek encouragement. “Win if you can, lose if you must, but always cheat.” But is that truly good advice, or are there limits to what we might tolerate, especially in the conduct of war? November 6th is recognized by the United Nations as the ‘World Day to Protect the Environment in War,’ first established in 2001 by the late U.N. Secretary-General Kofi Annan (a 1961 graduate of Macalester College in Saint Paul, Minnesota!). It is more formally known as the “International Day for Preventing the Exploitation of the Environment in War and Armed Conflict.” Among the many of the things it addresses, Secretary-General Ban Ki-moon said one is the challenge to “keep the unsustainable …

MIA Erasure, My Reflection

To much fanfare, the exhibit Artists Respond: American Art and the Vietnam War, 1965-1975 opened in Minnesota at the Minneapolis Institute of Art this month and will run until January 5th, 2020. It’s billed as a way to look at “the innovative ways artists talked back, often in the streets and other public venues. The exhibition presents nearly 100 works by 58 of the period’s most visionary, provocative artists.” For Southeast Asians of Vietnamese, Hmong, Laotian, and Cambodian descent, and active military veterans, you can even see the exhibit for free. It’s been a long time since I’ve been given free admission to an art exhibit to witness the complete erasure of my community’s perspective and reactions to the Vietnam War, the Secret War, and the Killing Fields. For Minnesotans, who arguably have one of the most deeply tangled relationships with Southeast Asia than almost any other US state, this ought to be a stirring and profound exhibit: one filled with so many heartbreaking memories and reflections on themes and issues addressed over four decades ago, …