All posts filed under: Refugee

An Iu Mien Story Pt.1 – #FreeSaelee, The Secret War, and Resettlement

“I would never think that we would have that many supporters,” Naichann Saechao says, referring to the nearly 200,000 signatures collected online to free her nephew Kao from ICE detention.  In fall 2020, the internet was shaken up by the Guardian’s story about an Iu Mien American refugee named Kao Saelee from California. Despite Kao’s service fighting historic wildfires just before finishing his 22 year prison sentence, he was handed over to ICE for deportation to his birth country of Laos. Instead of reuniting with his family who had come to take him home, Kao was taken to an ICE detention facility across the country in Louisiana. Despite calls for a pardon by California Governor Gavin Newsom, Kao is still in ICE detention today. With the massive reaction to Kao Saelee’s story, more people are talking about the plight of young refugees finding their way in America. However, the visibility of these refugee experiences, especially for communities like Iu Mien Americans, remains low. According to Iu Mien Community Services –Iu Mien are a vibrant ethnic …

MIA Erasure, My Reflection

To much fanfare, the exhibit Artists Respond: American Art and the Vietnam War, 1965-1975 opened in Minnesota at the Minneapolis Institute of Art this month and will run until January 5th, 2020. It’s billed as a way to look at “the innovative ways artists talked back, often in the streets and other public venues. The exhibition presents nearly 100 works by 58 of the period’s most visionary, provocative artists.” For Southeast Asians of Vietnamese, Hmong, Laotian, and Cambodian descent, and active military veterans, you can even see the exhibit for free. It’s been a long time since I’ve been given free admission to an art exhibit to witness the complete erasure of my community’s perspective and reactions to the Vietnam War, the Secret War, and the Killing Fields. For Minnesotans, who arguably have one of the most deeply tangled relationships with Southeast Asia than almost any other US state, this ought to be a stirring and profound exhibit: one filled with so many heartbreaking memories and reflections on themes and issues addressed over four decades ago, …